Updated Hornets Standing, Schedule & Results

Last Updated 7/14/2007 a.m.

In this, I'm treating games played in New Orleans as "road games" since, in fact, they are on the road just as much as a game played in Los Angeles would be ... airplane rides, team staying in hotels, sometimes very short time before the game begins, etc. See ESPN's attendance page for treatment of both Okc & New Orleans games as "home" games.


THE SEASON'S DONE IN OKC
The last two games were on the road, and it was great to win 'em. I was glad to share company with lots of Okc Hornets fans at the Hornets sponsored event at the Varsity Sports Grill on NW 63rd for our last victory of the season over the Clippers ... some Honeybees were there as was the popular voice of the Hornets, Rob Nice, with lots of free T-shirts and other stuff generously given to the boistrous crowd! And, at least for now, we bid our adopted Hornets adieu ... we have 2 years of great memories of these guys who have given us so very much! If you want to see my 2-season retrospective flash file celebrating the Hornets and Okc's "love affair," click here. Run time will vary depending on your hardware, but it's 8-10 minutes long.

It's been soooo great! Go Hornets, Go!


Note: If the table below does not appear properly, or if you want to print the schedule, here's an alternate link that contains nothing but the table and should work fine and will print better than this one: Click here for the same table at my website (which will open in a separate window).

OKC/NOLA 2006-07 HORNETS SCHEDULE
& PAID ATTENDANCE COMPARISON
Click on the home court's seating capacity to open a page showing pics of the arena;attendance figures are largely from ESPN's box scores

	PRESEASON
	October	Opponent	Time	Score	W/L	Home	Road	Att	Capacity	Att%
1	Tue 10/10/06	Dallas	7:00	88-81	1-0	1-0	0-0	13,647	19,164	71.21%
2	Fri 10/13/06	Orlando	7:00	85-100	1-1	1-1	0-0	14,475	19,164	75.53%
3	Tue 10/17/06	@Miami	6:30	105-109	1-2	1-1	0-1	???	19,600	???
4	Thu 10/19/06	@Golden St @LA	6:00	103-112	1-3	1-1	0-2	???	18,997	???
5	Fri 10/20/06	@LA Lakers	???	106-113	1-4	1-1	0-3	12,383	18,997	65.18%
6	Sun 10/22/06	@Sac @Reno	7:00	93-117	1-5	1-1	0-4	5,377	???	???
7	Tue 10/24/06	@Sacramento	9:00	84-81	2-5	1-1	0-5	17,317	17,317	100.00%
	REGULAR SEASON
	November	Opponent	Time	Score	W/L	Home	Road	Att	Capacity	Att%
1	Wed 11/1/06	@Boston	6:30	91-87	1-0	0-0	1-0	18,624	18,624	100.00%
2	Fri 11/3/06	@Indiana	6:00	101-91	2-0	0-0	2-0	18,165	18,345	99.02%
3	Sun 11/5/06	Houston@NO	6:00	96-90	3-0	0-0	3-0	18,202	18,202	100.00%
4	Tue 11/7/06	Golden State	7:00	97-83	4-0	1-0	3-0	19,164	19,164	100.00%
5	Thu 11/9/06	@Golden State	9:30	116-121	4-1	1-0	3-1	16,927	19,596	86.38%
6	Fri 11/10/06	@Portland	9:00	91-92	4-2	1-0	3-2	14,122	19,980	70.68%
7	Sun 11/12/06	@LA Clippers	2:30	76-92	4-3	1-0	3-3	18,273	18,997	96.19%
8	Tue 11/14/06	Charlotte	7:00	94-85	5-3	2-0	3-3	16,623	19,164	86.74%
9	Wed 11/15/06	@Detroit	6:30	100-99	6-3	2-0	4-3	22,076	22,076	100.00%
10	Sat 11/18/06	@Minnesota	7:00	99-96	7-3	2-0	4-4	16,151	19,006	84.98%
11	Tue 11/21/06	Miami	7:00	101-86	8-3	3-0	4-4	19,329	19,164	100.86%
12	Wed 11/22/06	@Phoenix	8:00	83-92	8-4	3-0	4-5	18,422	18,422	100.00%
13	Fri 11/24/06	Minnesota	7:00	79-86	8-5	3-1	4-5	18,258	19,164	95.27%
14	Sat 11/25/06	@Dallas	7:30	73-85	8-6	3-1	4-6	20,315	20,468	99.25%
15	Tue 11/28/06	Toronto	7:00	77-94	8-7	3-2	4-6	15,647	19,164	81.65%
	December	Opponent	Time	Score	W/L	Home	Road	Att	Capacity	Att%
16	Fri 12/1/06	Chicago	7:00	108-111	8-8	3-3	4-6	19,164	19,164	100.00%
17	Wed 12/6/06	@LA Lakers	9:30	105-89	9-8	3-3	5-6	18,535	18,997	97.57%
18	Fri 12/8/06	@Seattle	9:30	74-94	9-9	3-3	5-7	15,913	17,072	93.21%
19	Sat 12/9/06	@Golden State	9:30	80-101	9-10	3-3	5-8	17,105	19,596	87.29%
20	Mon 12/11/06	Cleveland	7:00	95-89	10-10	4-3	5-8	19,164	19,164	100.00%
21	Thu 12/14/06	San Antonio @NO	8:30	77-103	10-11	4-3	5-9	15,140	18,202	83.18%
22	Sat 12/16/06	Dallas @NO	7:00	79-80	10-12	4-3	5-10	16,331	18,202	89.72%
23	Mon 12/18/06	@Miami	6:30	99-101	10-13	4-3	5-11	19,600	19,600	100.00%
24	Wed 12/20/06	@Orlando	6:00	83-86	10-14	4-3	5-12	17,020	17,283	98.48%
25	Fri 12/22/06	Memphis	7:00	100-97	11-14	5-3	5-12	18,097	19,164	94.43%
26	Sat 12/23/06	San Antonio	7:00	77-112	11-15	5-4	5-12	19,164	19,164	100.00%
27	Tue 12/26/06	@Seattle	9:00	94-102	11-16	5-4	5-13	15,319	17,072	89.73%
28	Wed 12/27/06	@Portland	9:00	85-100	11-17	5-4	5-14	13,905	19,980	69.59%
29	Fri 12/29/06	Denver	7:00	99-89	12-17	6-4	5-14	19,334	19,164	100.89%
30	Sat 12/30/06	@Dallas	7:30	80-94	12-18	6-4	5-15	20,433	20,468	99.83%
	January	Opponent	Time	Score	W/L	Home	Road	Att	Capacity	Att%
31	Tue 1/2/07	Golden State	7:00	89-97	12-19	6-5	5-15	16,617	19,164	86.71%
32	Thu 1/4/07	Detroit	7:00	58-92	12-20	6-6	5-15	18,079	19,164	94.34%
33	Sat 1/6/07	Indiana	7:00	93-100	12-21	6-7	5-15	17,422	19,164	90.91%
34	Mon 1/8/07	LA Clippers	7:00	90-100	12-22	6-8	5-15	15,501	19,164	80.89%
35	Wed 1/10/07	@Atlanta	6:00	96-77	13-22	6-8	6-15	10,120	20,300	49.85%
36	Fri 1/12/07	Washington	7:00	104-97	14-22	7-8	6-15	16,899	19,164	88.18%
37	Tue 1/16/07	Orlando	7:00	84-78	15-22	8-8	6-15	17,610	19,164	91.89%
38	Fri 1/19/07	@San Antonio	7:00	86-99	15-23	8-8	6-16	17,153	18,797	91.25%
39	Sat 1/20/07	LA Lakers	7:00	113-103	16-23	9-8	6-16	19,329	19,164	100.86%
40	Tue 1/23/07	@Philadelphia	7:00	96-102	16-24	9-8	6-17	12,328	20,444	60.30%
41	Wed 1/24/07	@Toronto	6:00	88-90	16-25	9-8	6-18	14,173	19,500	72.68%
42	Fri 1/26/07	Sacramento @NO	7:00	94-83	17-25	9-8	7-18	16,607	18,202	91.24%
43	Sat 1/27/07	Utah	7:00	94-83	18-25	10-8	7-18	18,774	19,164	97.96%
44	Mon 1/29/07	Portland	7:00	103-91	19-25	11-8	7-18	17,745	19,164	92.60%
45	Wed 1/31/07	Philadelphia	7:00	78-89	19-26	11-9	7-18	16,958	19,164	88.49%
	February	Opponent	Time	Score	W/L	Home	Road	Att	Capacity	Att%
46	Fri 2/2/07	Minnesota	7:00	90-83	20-26	12-9	7-18	18,032	19,164	94.09%
47	Sat 2/3/07	@Houston	7:30	87-74	21-26	12-9	8-18	18,081	18,300	98.80%
48	Mon 2/5/07	@Sacramento	9:00	95-105	21-27	12-9	8-19	17,317	17,317	100.00%
49	Wed 2/7/07	@Denver	8:00	114-112	22-27	12-9	9-19	15,298	19,245	79.49%
50	Thu 2/8/07	Milwaukee	7:00	109-101	23-27	13-9	9-19	17,364	19,164	90.61%
51	Sat 2/10/07	Memphis	7:00	114-99	24-27	14-9	9-19	17,139	19,164	89.43%
52	Tue 2/13/07	@Memphis	7:00	104-108	24-18	14-9	9-20	10,641	18,119	58.73%
53	Wed 2/14/07	Sacramento	7:00	110-93	25-28	15-9	9-20	16,573	19,164	87.42%
54	Tue 2/20/07	@Charlotte	6:00	100-104	25-29	15-9	9-21	13,007	20,500	63.45%
55	Wed 2/21/07	@New Jersey	6:30	111-107	26-29	15-9	10-21	15,751	20,098	78.37%
56	Fri 2/23/07	Seattle @NO	7:00	98-97	27-29	15-9	11-21	17,961	18,202	98.68%
57	Tue 2/27/07	@Cleveland	6:00	89-97	27-30	15-9	11-22	19,619	20,562	95.41%
58	Wed 2/28/07	Atlanta	7:00	107-100	28-30	16-9	11-22	17,402	19,164	90.81%
	March	Opponent	Time	Score	W/L	Home	Road	Att	Capacity	Att%
59	Fri 3/2/07	@Chicago	7:30	93-104	28-31	16-9	11-23	22,056	21,711	101.59%
60	Sun 3/4/07	Utah	7:00	94-108	28-32	16-10	11-23	17,304	19,164	90.29%
61	Tue 3/6/07	@Denver	8:00	91-106	28-33	16-10	11-24	16,409	19,245	85.26%
62	Fri 3/9/07	@Phoenix	8:00	103-104	28-33	16-10	16-10	11-24	18,422	100.00%
63	Sat 3/10/07	@Utah	8:00	108-112	26-36	16-11	12-26	16,451	19,911	86.91%
64	Tue 3/13/07	New Jersey	7:00	108-112	28-36	16-11	12-26	16,541	19,164	85.84%
65	Fri 3/16/07	@New York	6:30	92-90	29-36	16-11	13-26	19,763	19,763	100.00%
66	Sat 3/17/07	@Washington	6:00	103-125	29-37	16-11	13-27	19,164	20,173	100.00%
67	Mon 3/19/07	Boston	7:00	106-88	30-37	17-11	13-27	19,164	19,164	100.00%
68	Tue 3/20/07	@Memphis	7:00	113-103	31-38	17-11	14-27	10,916	18,119	60.25%
69	Fri 3/23/07	LA Lakers @NO	7:00	105=111	31-38	17-11	14-28	18,535	18,202	101.83%
70	Sun 3/25/07	Houston	2:30	106-94	32-38	18-11	14-28	19,164	19,164	100.00%
71	Tue 3/27/07	Dallas	7:00	85-105	32-39	18-12	19,174	14-28	19,164	0.00%
72	Wed 3/28/07	@San Antonio	7:00	88-92	32-40	18-12	14-28	19,164	18,797	947.54%
73	Sat 3/31/07	New York	7:00	103-94	33-40	19-12	14-29	18,521	19,164	96.94%
	April	Opponent	Time	Score	W/L	Home	Road	Att	Capacity	Att%
74	Tue 4/3/07	@Milwaukee	7:00	119-101	31-40	19-12	15-29	16,013	18,119	85.55%
75	Wed 4/4/07	Seattle	7:00	101-92	35-40	20-12	15-29	17,021	19,164	88.82%
76	Fri 4/6/07	Phoenix	7:00	95-103	35-41	20-13	15-29	19,164	19,164	100.00%
77	Sat 4/7/07	@Minnesota	7:00	96-94	36-41	20-13	16-29	15,907	19,006	83.69%
78	Tue 4/10/07	LA Clippers	7:00	103-100	37-41	21-13	16-29	17,704	19,164	92.38%
79	Fri 4/13/07	Denver	7:00	105-107	37-42	21-14	16-29	19,164	19,164	100.00%
80	Sat 4/14/07	@Houston	7:30	112-123	37-43	21-14	16-29	18,238	18,300	99.66%
81	Mon 4/16/07	@Sacramento	9:00	125-118	38-43	21-19	17-30	17,317	17,317	100.00%
82	Wed 4/18/07	@LA Clippers	9:30	86-83	39-43	21-14	18-30	18,392	18,997	96.82%

Go To Top
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New Years 2006

This post should be called New Year's 2006-2007, but I'll know better next time!

Lots of stuff going on in downtown OKC in December ... such as ... "Downtown In December" sponsored by Downtown OKC ...


... not the least of which is the upcoming Devon Energy Oklahoma River Parade on Saturday, December 16:

Click here for River Parade pics like the one below:


BUT NO, this post isn't about those fine goings on right now in OKC.

THIS POST is about New Year's EVE AND New Year's DAY and serves as a reminder that it's time to start planning!

DOUG DAWGZ HOPPIN' JOHN
This recipe was updated in my December 31, 2011, post,
as well as to provide a downloadable PDF file.
Whatever you do on New Year's Eve (2 suggestions follow), consider this to be Doug Dawgz contribution to your New Year's DAY ... but remember that grocery stores seem to run out of black-eyed peas before December 31 ... so ... buy them now! No, my recipe is not yet "historical", but, trust me, it's damn good and, one day, it will be!

It is rumored that unless you eat black-eyed peas on January 1, January 2 ~ December 31 will not bring good fortune. Why take such a chance? This recipe provides one way to avoid such calamity.
This recipe provides more such risk avoidance than you may want. But, why not just go ahead and make plenty ... share with your family and office-mates ... excess portions may be frozen for later consumption, like at such time(s) that you may feel you need a boost of good luck!
WHAT YOU NEED A giant pot ... large enough to put a small beagle in ... a pot at least 12-14" in diameter and 12" or more high, with a lid 2 1-lb. bags of dried black-eyed peas 2-3 lb. ham (it doesn't really matter what kind) 4-6 ham hocks 3-4 large (18-19 oz) cans of tomatoes (depending on how "tomatoey" you want the mix to be) 1-2 15 oz. cans of tomato sauce (ditto the "tomatoey" comment, above) 3-4 medium yellow onions 4-10 tabasco peppers (see General Tip) 1/2-1 tsp. salt (see General Tip) 3-6 tsp. chili powder (see General Tip) 1 package of sliced almonds 2 cups of rice(s) of choice (I like to use a mix of white, wild, and brown)		WHAT YOU DO 1. Soak dried black-eyed peas in water as directed on the bag (usually overnight), or at least 2-3 hours prior to cooking (if you like "crunchy" beans). Be sure to drain the beans ... in a strainer ... else you may get more "crunch" (and broken teeth) than you desire! 2. Mix into the giant pot all ingredients except the rice ... mix the beans, the ham (diced into dimensions that suit you, e.g., about 3/4" square), the ham hocks, the canned tomatoes (including the water, and slicing the tomatoes in the pot), the tomato sauce, the onions (chopped), the tabasco peppers (finely chopped), the salt and chili powder, and the almonds 3. Stir and add water as needed to cover the mixture 4. Cover & cook on low-medium heat for about 1 hour 5. Add the rice of your choice and continue cooking until the rice is done ... up to 1 hour 6. Eat (at least some on January 1) and/or Freeze ... the mixture freezes and saves nicely 7. Other Things ... cornbread is good but not required for good luck but if you really to dazzle your company try out my chocolate ice box pie, inspired by Toddle House's pie of the same name!
GENERAL TIP: Seasonings can be added as the mixture cooks ... so, you might want to add less or more than what I've suggested before it's all done ... but, remember that it's easier to add seasonings than it is to get rid of them. This is particularly true for (1) salt, (2) chili powder, and (3) tabasco peppers! It's quite OK to add as you go, to suit your personal palate!

But ... the night before you pig out on Hoppin' John, two events are available for you to consider ...

OPENING NIGHT

Click for larger pic

Since 1987, the Oklahoma City Arts Council has sponsored Opening Night, a very successful family-oriented celebration of the New Year in downtown OKC. The Arts Council describes the event, generally:

Opening Night 2007 invites everyone to Downtown Oklahoma City on New Year’s Eve to celebrate with music, dancing, theatre and fireworks! Since 1987, Opening Night has been the way to ring in the New Year. All performances take place in non-alcoholic venues.

Opening Night is Sunday, December 31st, 2006 from 7 p.m.-midnight in 13 venues around Downtown Oklahoma City and Bricktown. This year's entertainment features more than 40 performers on 18 stages.

An Opening Night admission button allows you access to all venues, all night long. Buttons are just $8 in advance, and $10 the day of the event, with children under five admitted free. Purchase buttons starting December 13 at MidFirst Bank locations, metro Homeland stores, Mathis Brothers Furniture, or at the event.

For a map of the events, click here. For a list and the venue/times of performers, click here, and for an overall schedule, click here.

CENTENNIAL NEW YEAR'S EVE DRESS BALL

A competing event in OKC this year is the Centennial New Year's Eve Dress Ball sponsored by and located at the Oklahoma History Center at 2401 N. Laird, at the NE corner of the State Capitol Complex. For more about the Oklahoma History Center, see my prior post.

Click for larger pic

Since one can have a "Centennial Ball" only once every hundred years, this one may be hard to pass up, if one can cough up the cash and get some cool duds to wear to it!


This one's more expensive ($75 per person) and either "formal or 1907" attire is requested. If interested, click here for more information.

Most of the festivities will probably be in the event center, below:

Click for larger pic

Doug Dawg wishes A Happy and Prosperous New Year To All!
... Click here to read the full article and any comments ...

Deep Deuce History

May 4, 2009, note: Deep Deuce history is considerably expanded in a 2009 series of 30-40 articles contained in The Ultimate Deep Deuce Collection.

Note: The original post of this article was accidentally deleted when re-doing my "2006 Index" a couple of days ago. Thanks to Google's "cashed" feature, it was able to be reconstructed pretty much like it was, although the article has also been revised as of today, December 5, 2006. The map and text as to Avery AME Chapel Church was corrected on September 7, 2007, to reflect the correct location (NW corner of NE 1st & Geary, not NE 1st & Stiles). Some new pictures and text was added on September 28, 2007.

A "social backdrop" for why Deep Deuce came to be is in my 1st post, Deep Deuce Prologue. A 3rd Deep Deuce post, Famous Deep Deucians, describes some famous Deep Deuce people. This post explores the physical buildings of the Deep Deuce that existed from the 1900's into the '40s and early 1950's. The next will give more particular description of some of its people.

The map below gives a frame of reference, showing locations of the described in this post. The area originally known as "Deep Second", now as "Deep Deuce", is generally east of the north/south railroad tracks, west of I-235, south of NE 4th, north of the railroad which is the northern border of Bricktown – but note that the I-235 boundary is artificial and that the area extended further east but to a point that I do not know. I've also shown Douglass School in the map because of its impact upon Deep Deuce people, coming in part 3, even though it was not in Deep Deuce, properly speaking.


A nice aerial view of the Deep Deuce area appears in William D. Welge's Oklahoma City Rediscovered (Arcadia Publishing 2007). This image appears to have been taken by the same photographer and from the same vantage point (top of the Skirvin Hotel) as was a companion image in Trains Part 3 but just turned a bit more toward the Deep Deuce area. Several Deep Deuce building are prominent in this image.

Deep Deuce In Early 1930s


THE HISTORICAL BACKDROP

Why is this small slice of near-downtown Oklahoma City important? Aside from racial issues which necessitated the existence of a "separate" African-American "commercial and entertainment" area in the 1st place, described previously, this small area generated some of the most prominent Oklahoma Citians in the music and literature fields that our city has known, as well as providing "a place to go" for the then-disenfranchised Black citizens of our community. More, the African-American slice of Oklahoma City population has always been substantial, even though not all of it was located in the Deep Deuce area. For example, in 1910, Oklahoma City's population was 64,205 (87th in the country) according to official census figures, of whom more than 7,000 of it were Black, according to Dr. Bob L. Blackburn's fine article.

In his article, Dr. Blackburn provides this description:

From 1889 to the 1930s Bricktown was a battleground for social justice and the birthplace of cultural diversity in Oklahoma City.

It began when some of the first 200 African-Americans attracted by the land run settled in Sandtown, located along the north bank of the river east of the Santa Fe tracks. From there, the black community grew northward as jobs were created and new waves of immigrants arrived looking for a piece of the promised land. * * *

By 1915 the all-black residential community ringed the commercial district of brick buildings and stretched from the river on the south to First Street on the north and as far east as the 1000 block on Third Street.

Faced with this expansion of black families into formerly white neighborhoods, the Oklahoma City Council passed a segregation ordinance that would in effect prevent blacks from buying or moving into houses north of Second Street. Even after the United States Supreme Court declared that ordinance unconstitutional in 1916, de facto segregation kept the wall intact, making Second Street a symbolic battleline in the fight against racial injustice.

Additional description comes from an article by Kristin Winch describing a Governor's Gallery exhibit, Ron Tarver, Deep Deuce & Beyond:

Beneath the gleaming modern facades and upscale apartments along West 2nd Street, and the abandoned homes and weed infested lots to the east, lay the remnants of what was, in its heyday, one of the most successful African-American business districts in the country.

"The 2." "The Deuce." "Deep Deuce." Akin to Harlem of the 1930’s – in spirit, if not in scope – Deep Deuce spawned such legendary figures as jazz guitarist Charlie Christian, "blues shouter" Jimmy Rushing, and internationally acclaimed writer, Ralph Ellison. Deep Deuce attracted African-American professionals of every stripe. Roscoe Dunjee, Dr. Frederick Douglas Moon, Mrs. Lucy Tucker, Dr. William Lewis Haywood, Mary and Sydney Lyons. These doctors, educators, entrepreneurs, and activists came together, creating a critical mass that transformed 2nd Street and the surrounding neighborhood into a thriving corridor of Oklahoma City.

Deep Deuce produced the East India Toilet Goods and Manufacturing Company, the 2nd largest African-American hair product company in the world. The Deuce was home to the historic Aldridge Theatre, an African-American theatre that attracted some of the most prestigious talent in the country. Just beyond 2nd Street, Edwards Addition boasts the African-American owned and operated Edwards Memorial Hospital; in its era, the most well equipped state of the art hospital in Oklahoma.

An article in the Journal Record gives more background, looking back in time.

Re-evaluating Deep Deuce
Journal Record
Mar 1, 2001 by Max Nichols

Little by little, we are becoming more and more aware of the tremendous influence of Deep Deuce on the heritage of Oklahoma City.

The recent jazz series on Public Broadcasting System pointed out the contributions of Charlie Christian, Jimmy Rushing (Mr. Five-by- Five), the Blue Devils, Lester Young, Jay McShann and numerous other musicians who played in Deep Deuce and contributed heavily to the development of jazz. Ralph Ellison, who walked the streets of Deep Deuce and later wrote The Invisible Man, was quoted often in that series.
* * *
Why are most of us just now learning about the rich cultural heritage of this small area? The plain answer is that Deep Deuce, formerly known as Deep Second, was the business and entertainment center of the African-American community in Oklahoma City for more than half a century, and white people rarely went there or knew much about it.
* * *
As a result, little was written about the area until Director Anita Arnold of the Black Liberation Center and George Carney of Oklahoma State University came along. Arnold started researching the background of Charlie Christian and Deep Deuce for the Charlie Christian Jazz Festival, and Carney wrote about the contribution of jazz by Oklahomans in a 1994 edition of The Chronicles of Oklahoma. Their works are gradually seeping into the general population.

Arnold interviewed people who worked and lived there while reading old copies of The Black Dispatch at the Ralph Ellison Library. [DL Note: the library is at 2000 NE 23rd, and go here for its website.]

She wrote three books, including The Legendary Times and Tales of Second Street and two on Christian, who elevated the electric guitar to national prominence -- recording with Benny Goodman and Lionel Hampton. Because of her work, she was interviewed for two hours in the production of the Jazz series, and she supplied photos that were used.

Through Arnold's work, we are finding out more and more about places such as the third-floor Slaughter's Hall in the Slaughter Building, Ruby's Grill, the Aldridge Theater and other Deep Deuce centers of business and entertainment. We are also learning about Deep Deuce entrepreneurs and people such as Zelia N. Page Breaux, a Douglass High School educator who taught Christian, Rushing and numerous others.

"I attended the old Douglass High School at NE 6th and High streets," said Arnold, "and I graduated from the new Douglass High School. My parents used to take us to the Aldridge Theater (formerly at 303-305 NE Second) and pick us up after a movie.

"As a teenager, I worked at the Randolph Drug Store, which was located on the first floor of the Slaughter Building on the corner of NE 2nd and Stiles Ave. Integration already was beginning to affect Deep Deuce, with African Americans moving to other parts of the city, but we still had doctors and other professionals in Deep Deuce."
Arnold reported that the Christian, Rushing and Whitby families were among the musical leaders of Oklahoma jazz history along with couples such as Juanita and Abe Bolar. Charlie Christian was the youngest of three boys of Clarence and Willa Mae Christian, who moved from Bonham, Texas, to Oklahoma City in 1918. The whole family played music. Charlie's brother Edward became a music writer for the Black Dispatch. Their influence extended from the 1920s and 1930s to this day, including the outstanding blues played by D.C. Minner of Rentiesville.
* * *
The heritage of Deep Deuce, however, is much deeper than music. It goes back to the 1889 Land Run, when African-Americans settled in that area as well as in black towns across the state. Black entrepreneurs started hotels, shops, funeral homes and professional services.

Among the pioneer entrepreneurs were Dr. W.L. Haywood, who started Utopia Hospital as the first hospital for blacks in Oklahoma City at 415 NE First St., and Roscoe Dungee, who started The Black Dispatch on E. Second St. in 1915. S.D. Lyons started the Lyons Hotel, and Dr. W.H. Slaughter owned the Slaughter Building and Slaughter's Hall. James Simpson owned his own club, and Emma Burnett started her own business school.

Lyons was the father of Ruby Lyons, who owned Ruby's Grill, which included the Lyons Den for special events and customers. Slaughter's Hall became popular for club dances and other events. Zeilia Breaux was a co-owner of the Aldridge Theater, which hosted music and theater productions, vaudeville shows, touring companies and movies.

THE REMNANTS

Though most buildings have been replaced by upscale apartments and condos, some vestiges remain. This looks at some, not all, of those that do.

Calvary Baptist Church. This edifice, located at 300 N. Walnut, still stands, even though the signage "Calvary Baptist Church" (sadly) no longer marks its identification. Built in 1921, Calvary Baptist had a rich history, even a national significance, not only for its contributions to Oklahoma City but to the country. Martin Luther King wished to become the pastor there in 1954 before he came to national prominence, but he was apparently not invited because of his then youthful age.

This church not only served as the venue for the late 1950's-early 1960's civil rights marches and activity in Oklahoma City (see my Clara Luper post), it also served as the religious home of many Black Oklahoma Citians, and, for some, was the place which marked their death, as well, as will be shown in Part 3 of this series.

In 1952, it hosted the 43rd Annual NAACP national convention. See Larry Johnson's article at the Okc Metro Library website (you may have to click your "refresh" button/key after clicking the foregoing link).

Credit Oklahoma City Metropolitan Library System
Click on pic for a larger view

For a more detailed report of the contributions of Calvary Baptist Church, see this link.

Deep Deuce Grill. This is the "Haywood Building", purchased by Dr. W.L. Haywood in 1938, his clinic being on the 2nd floor. According to Key Magazine, he "relocated to Deep Deuce in the early 1900s. Haywood founded the first black hospital in Oklahoma City along with Dr. W.H. Slaughter, and he was the first African-American physician admitted to practice at University Hospital (now OU Medical Center). * * * In addition to practicing medicine, Haywood was an accomplished businessman and civil rights leader who regularly published newspaper columns promoting black businesses and railing against segregation in the Black Dispatch." See the December 2005 on-line issue of Key Magazine for more.

As with the rest of this area, by the time that Deep Deuce's vitality had passed, the building was but another dilapidated structure. The images below shows what it had become by 2000, the change which occured with adjoining properties in 2001, and, last, how it appears today. The first 2 images are from the Oklahoma County Assessor's website and the last I took on November 25, 2006.

As is evident from the last image, above, showing the Kerr-McGee Tower, Deep Deuce was but a stone's throw from the White World, just across the Santa Fe Railroad tracks.

Deep Deuce Apartments Clubhouse. This building in the Deep Deuce Apartments is a restored original building but I don't know which one ...

Deep Deuce Apartments Clubhouse

Unidentified Hotel. The County Assessor's Deep Deuce Collection shows this photo, a hotel at the southwest corner of NE2nd and Central, but I can't make out the name, given the photo quality. One was the Lyon's Hotel, I don't know the other's name. A helpful contributor (John) at OkcTalk.com pointed out that this building, now renovated, still stands and serves as offices and condos.


According to a February 11, 2004, Oklahoman article, "When Deep Deuce was, it represented the heart", 2 hotels were present along the street.

Since writing the original version of this post, I've been better educated by helpers like John and Dustbury's CG Hill and I thank them! There are some other remnant Deep Deuce buildings, but I'll stop with what I've said so far about that!

THINGS GONE

The Aldridge Theater. The Aldridge was at 303-305 N.E. 2nd, immediately west of where Deep Deuce Grill is today. On edit (9/28/2007), I've now located a photo of the Aldridge in addition to Mary Ann Moore's painting - a print is available at the Oklahoma History - included in the original post. Both appear below.

Click on pic for a larger view
Credit Mary Ann Moore & the Oklahoma Historical Society


Owned by Zelia Breaux and F.E. Withrow, the Aldridge opened in 1919. The small print at the bottom of the above reads, "Big bands, vaudeville acts, and movie pictures were featured regularly. Music legends such as Cab Calloway, Billie Holiday, Count Basie and Duke Ellington appeared at the Aldridge." Zelia Breaux receives prominent discussion in Part 3 of this series.

In the picture below, the "Now Showing" plackards include a short subject, "Rocky Marciano v. Roland LaStarza" world championship fight pictures ... a mini-movie that was released in September 1953 ... and the main attraction, "A Perilous Journey," released in April 1953 ... so the image below must be sometime around September-December 1953.

Credit Oklahoma City Rediscovered by William D. Welge (Arcadia Publishing 2007)



Slaughter Building. Located at the northwest corner of NE 2nd and Stiles, this "mixed use" building housed a drug store and soda fountain in the 1st floor, professional offices (lawyers, dentists, doctors ... like its owner, W.H. Slaughter) in the 2nd, and, in the top floor, a place for music and dancing which was called, "Slaughter's Hall." I wasn't able to find a great pic, but the one below shows the 3 story building.

Credit Vanished Splendor III by Edwards, Oliphant and Ottaway (Abalache Book Shop Publishing 1985)
Click on pic for a larger view

Note: "123" is not part of the address, only the "East 2nd St." part is.
It was recounted by Ralph Waldo Ellison (who as a child was a soda jerk in the drug store), that,

When we were still too young to attend night dances, but yet old enough to gather beneath the corner street lamp on summer evenings, anyone might halt the conversation to exclaim, "Listen, they're raising hell down at Slaughter's Hall," and we'd turn our heads westward to hear Jimmy's voice soar up the hill and down, as pure and as miraculously unhindered by distance and earthbound things as is the body in youthful dreams of flying." - from "Shadow and Act," a collection of essays by Ralph Ellison.

See Deep Second Still Lives In Dreams for more.

Here's a look at that building in conjunction with a 1942 Wilson & Co. parade:

Credit Oklahoma City Metropolitan Library System
Click on pic for a larger view


The Black Dispatch. Roscoe Dunjee established this excellent weekly newspaper either in 1914 or 1915 (souces vary). The fine Dustbury archives, September 3, 2005, identifies the Black Dispatch offices as being at 324 NE 2nd, which would place it a little west of the Slaughter building but on the south side of the street. And, CGHill of Dustbury also notes that Dunjee had originally set up shop at 228 E. 1st Street. There's also this from Deep Second Still Lives In Dreams,

In the red brick buildings that lined NE 2 between Stiles and Central, there were two barbershops and a tailor shop - Ellison and Stewart both had earned extra money shining shoes at all three - a hardware store, a music store, a funeral home and the Black Dispatch newspaper office.

Click on images for larger views

About the Black Dispatch, Bob Blackburn's article gives this description:

In 1915 a loud voice was raised in this battle when Roscoe Dunjee founded the first black newspaper in Oklahoma City, the "Black Dispatch." From his offices in Bricktown at 228 E. First, Dunjee and his allies organized the first local branch of the National Association for the Advancement of Colored People, challenged legal barriers in the courts, and attacked the "Bloody Fangs of Jim Crow" in the halls of power. The efforts bore fruit, first with cracks in the wall, then with a growing volume of victories however small. Year after year, under constant attack, the walls of segregation would crumble, a fight started in the neighborhoods of Bricktown.

According to this source,

Roscoe Dunjee started the Black Dispatch in Oklahoma City in 1914. The son of a black West Virginian newspaper publisher, Dunjee worked in a print shop and wrote for several of Oklahoma’s black newspapers before starting his own journalistic venture.

Before the Black Dispatch, only six African-American newspapers had used black in their titles, and none of them lasted very long. Dunjee chose the title because whites used the phrase “black dispatch” as a slang term for gossip or untruths, and he felt that phrases like this insulted the integrity of the African American. So, by using it as the title of a newspaper and adhering to high standards of journalism, Dunjee wanted to attack racist attitudes and instill pride in black heritage.

Famous for his fiery editorials, Dunjee used the Black Dispatch to train black journalists, to attack discrimination, and to encourage the black community to fight for civil rights. Angered by the meek acceptance of Jim Crow many African Americans displayed, Dunjee wrote editorials criticizing blacks who didn’t vote or participate in politics. In an especially harsh 1920 editorial titled “Senseless Blacks,” he wrote: “The most disgusting and senseless Negro that we know is the fellow who stands around and says, ‘Oh I never vote; I’m not registered’ and who always slurs and tells you that the Negro who is active in politics in the community is selling you out and should not be trusted.”

When the Oklahoma Federation for Constitutional Rights began investigating discrimination in the State in 1941, Governor Leon Phillips called the organization “the height of folly” and claimed, “no one is denied constitutional rights in Oklahoma.” Dunjee responded with one of his lengthy trademark editorials, citing court cases and the activities of the NAACP:

On every train and bus in Oklahoma, this writer and all Negroes in Oklahoma are denied civil rights. Can the Governor observe denial of Negroes to Pullman and chaircar accommodations on railroads, and then like Pontius Pilate, wash his hands, saying ‘No one is denied constitutional rights in Oklahoma?’

* * *
When racial tensions exploded in Tulsa in the summer of 1921, resulting in an estimated 300 deaths and the destruction of the black community known as Greenwood, the Black Dispatch provided complete coverage, tried to silence rumors, and raised money for thousands of homeless black Tulsa residents. Dunjee, suspicious of the minor incident that sparked the violence, investigated the riot’s causes and editorialized that white business interests had hired agitators to rouse the white populace because they wanted Greenwood’s valuable real estate. The city’s new districting ordinances proposed such strict guidelines on the Greenwood district that black homeowners found the costs prohibitive. A Black Dispatch front-page story stated, “this latest fire limit ordinance shows plainly that Tulsa coveted also the very land upon which black men dwelt.”

The Federal government investigated the Black Dispatch for disloyalty during World War II (WW II), and the FBI reported that the paper used known Communist phrases like “civil liberties,” “inalienable rights,” and “freedom of the speech and of the press.” The Black Dispatch survived this wartime scrutiny, but financial problems forced Dunjee to sell the paper to his nephew John Dunjee in 1955. It remained a family-run newspaper until it folded in 1982.

Roscoe Dunjee was inducted into the Oklahoma Journalism Hall of Fame in 1971, that organization's inaugural year.

Avery Chapel AME Church. On edit, I've located images of another very attractive church which served the area at the Oklahoma City Metropolitan Library System. It was located at 429 E. 1st (NW corner of NE 1st & Geary) and was built in 1907, but I don't know anything more.

Credit Oklahoma City Metropolitan Library System

Click on a pic for a larger view
A 1941 Image


A 1943 Image

Douglass School. Although none of the manifestations of "Frederick Douglass School" were, strictly speaking, located within the boundaries of "Deep Deuce", they were nearby and without doubt were influential (particularly teachers there like Zelia Breaux, to be discussed in Part 3) not only to the "famous" which would emerge from Deep Deuce, but also to those who did not obtain that status. Hence, it is important to speak about the school.

In my initial post, I said that, "From what I've been able to glean, the 1st Douglass School was established in 1912 and was located at 112 S. Central (in what is now the Bricktown Ballpark). In 1915, the school was relocated to 200 E. California, but roughly in the same area. I've found no really good pics of either locale, but here's that which I have."

Dustbury's CG Hill again comes to the rescue! He points out that Bob Blackburn says it differently, and, indeed, he does. In Bob Blackburn's article, we read,

* * * Founded in 1891, the all-black school moved to a two-story frame building in the 400 block of East California in 1899, followed by a move into the old Webster School in 1903. From this new home at the northwest corner of California and Walnut (where the baseball park is located today), Douglass High School became one of the leading educational institutions in the region.

* * * Douglass High remained in the Bricktown Building until 1934 when it moved farther east and north.

The following 2 pics are from Vanished Spendor III, by Edwards, Oliphant and Ottaway (Abalache Book Shop Publishing 1985).

The authors identify Card 449 as being taken in 1915 from the top of the Herskowitz Building, looking southeasterly over what we now call "Bricktown", and they identify the building at the "far left" as being Douglass School. From such a distance, no real clarity is present, but it does help to identify the location of the school at that time.



A 1915 pic of the faculty during that time - click for larger view
Yes, that's "Jesus" written on the blackboard! How times change!

On edit, I found a couple of pics at the Metro Library System ... in the 1st, in the lower left corner, is "Webster School", which became Douglass around 1915. The address of this building is 200 W. California. After Douglass School moved to NE 6th & High in 1934 or 35, the former school became Wheatley School, shown in the 2nd picture. The notes about each pic are from the Metro Library System website.

Early Oklahoma City Schools (clockwise from top left), Washington (315 S Walker), Irving (400 N Walnut), Emerson (715 N Walker), Webster (220 E Califronia) (c. 1903)
Credit Oklahoma City Metropolitan Library System
Click on pic for a larger view


Wheatley School (formerly Douglass School), 200 E California
Looking Northwest (Jul 19, 1957) by John B. Fink

About Douglass School, Jimmy Stewart said in the 1993 interview:

"I’ll show you how we had to go to high school," Stewart says. "See, the Rock Island tracks are right down south of here. You couldn't get across there,"

He tells me to turn around and drive west on NE 1 to Central, then south over a viaduct that crosses the now abandoned tracks.

We reach Reno and turn back east.

"Now this corner right here's the old Douglass High School," Stewart says, pointing to what is now a city bus maintenance barn. The three-story school campus once covered the entire block, and to the east sat n the football practice field, he says.

"This was the third school for blacks in Oklahoma. They had one on Walker and Reno, then they had one over here on East Grand, and this was the pride of Oklahoma s City---Douglass High School."

From what I've read, Douglass School moved in 1932 or 1935 (sources vary) to a school formerly known as "Lowell School" built in 1909 at 600 N. High, about 5 blocks east of what is now Lincoln Boulevard, and that building, though presently unoccupied, still stands.

Click on pic for a larger view


This pic was taken by me Saturday afternoon, November 25 - click for larger view

After Douglass School relocated to a new facility on then Eastern now Martin Luther King, the school became the Page-Woodson School, now vacant. This source indicated plans were in the works to make the building an African-American cultural center and museum, but a September 2006 Journal Record article indicates that the property may be converted to office space.

Certainly, there is much more to say and this should only be considered as an introduction to those who are research-minded. But, the "Deep Second" that people like Ralph Waldo Ellison knew as a child is certainly now only a memory. Before his death (1994), Ellison is quoted in the following article, found at Deep Second Still Lives In Dreams:

As the black community moved farther north and east, [Jimmy] Stewart tells me, the center moved from NE 2 to NE 8 and eventually to NE 23. After the war, street cars were replaced by buses, and the busiest didn't stop in the Second Street, he says.

"It just kept running down," he says as we zip above the decaying buildings of Second Street on the raised highway. "More desirable places were opened up and it made Slaughter's Hall inappropriate."

Stewart says he doesn't even remember when the dance hall closed. But its demise is one reason'" Ellison has not returned to the city of his birth.

"I hesitate to go back to Oklahoma City, especially now when I'm' trying to finish a book," Ellison had said. "To go back and find that old East Second Street environment gone is traumatic, it's sort of disturbing and I don't want to lose the memories. I don't want to lose my sense of how it was, because after all, that's where I came from."

He was/is not the only one. When one is wanting to "go back" to see one's homeplace and engage in a physical/emotional bonding with one's past, but the physical past is no longer there, why do it?

Next: Part 3 about Deep Deuce People, about Ellison and others.
... Click here to read the full article and any comments ...

Oklahoma Rising

It pleases me that the Oklahoma Rising Flash file linked to in this post, below, has received much flattering attention by many of you, and including an award for excellence from the Harmony Editors Group. Click on the image, right, for other web pages that have received their honor. I thank them for selecting the Oklahoma Rising flash file as deserving of a "Special Dedication"! Click here to move directly to the flash files.

Note on 4/21/2007: The flash files have been modified to make explicitly clear that (a) they are not the product of the Oklahoma Centennial Commission, (b) they do not purport to "cover the state" but only my little part of it, and (c) that they don't is not intended as a sign of disrespect for those who do not live in Oklahoma City. I did it that way because this is my "home" and this is what I know best. Also, as noted below, the Oklahoma Centennial Commission now has an Oklahoma Rising DVD with video around the state! Here's the link to the Commission's Merchandise Page where you will find order forms for the DVD and other products, too!

Note on 2/5/2007 about copying and/or using my Flash files: I neither have nor claim to have copyright to the excellent tune, Oklahoma Rising, and so I have no privilege to grant to others what I do not have myself. But, as long as it is not done for commercial purposes, I have no problem at all with others (schools, people, whatever) copying and using my Flash files as long as it is for personal or educational purposes. That's all explained in detail below - click here to go there.

Note on 1/21/2007: If you want more pics and stuff about downtown OKC around state (plus or minus a few years either side of 1907), click here.

Flash file revised and expanded and 2nd version added 1/15/07 (initial version was 12/4/06), and further expanded several times, most recently on 2/3/2007 to add a few new pics.

If you're an Okie (and I am), it's hard not to get caught up in Oklahoma's Centennial celebration.

Oklahoma's official "Centennial Anthem" is composed by Vince Gill from Okc and Jimmy Webb from Elk City. Though some have dissed the tune, I, Doug Dawg, LOVE it! So much so that I've been motivated to learn a little about making Flash files and have made my very first Flash file ... Oklahoma Rising.

Be aware that my Flash files have an Oklahoma City focus ... quite natural for me since I was born and live here. So, with no disrespect to the other parts of our fine state intended, the focus of my Oklahoma Rising Flash files is my personal part of the Okie woods, Oklahoma City ... perhaps others will make similar versions showing other parts of our great state, and it would be cool to have a bevy of such files to play during our Centennial year! Maybe I'll even get around to such a thing, one of these days!

The Oklahoma Centennial Commision has now produced an Oklahoma Rising DVD which features video clips from all around the state. It's only $10 plus $2 for shipping and handling, and I recommend it to all! Go here for an order form.

I want to thank everyone who has sent e-mails ... all of them have helped with suggestions to improve the Oklahoma Rising Flash file, and all are much appreciated. I am particularly honored by a sergeant stationed in Iraq who requested permission to use my stuff and play it to his unit there, and by school teachers and cub scout leaders, etc., etc., etc., who wanted to use it for their kids! That's very humbling, and, to all, I give a big thanks!

The files (whichever you chose) are large (about 11 MB) so I don't recommend that you run any of the 3 Flash files unless you are using a high-speed internet connection. A much smaller (2.6 MB) and truncated version of the file but with no music is linked at the bottom of this page. ALSO, NOTE: The sound/graphic synchronization seems to work well in IE 6 ... the graphics and song end at the same time ... BUT in Firefox 2.0, the pictures outpace the sound resulting in the graphics part ending well before the tune does. Sorry, but I don't know how to fix that yet.

Among other things, the latest revision is a 2nd attempt to accommodate several e-mail requests I've received from users having have a tough time with the image speed (very fast), particularly in the latter (contemporary) pics of OKC in this file, the "Button" version being the 1st such attempt. As to contemporary OKC, "speed" and "spinning" was actually part of my intention -- the part where buildings start spinning so very quickly! One user said that it made her "dizzy!" And, I'm glad to say that some e-mails actually expressed pleasure in the fast, high-energy speed used in the last part 2/5 of the file!

The last part of the Flash file goes way fast for 2 reasons: 1st, I wanted to show the "energy" of OKC in the contemporary pics and I thought that "speed" would help "show" that; and, 2nd, I wanted to stick in as many pics as I could of today's downtown OKC! Image speed starts getting brisk (about 0.5 seconds per image) right after the Deep Deuce and Ada Fisher slide, as opposed to the easier-going 2 seconds (or more) per slide used before that point.

But, I've come up with 2 compromises ... the "Button" version does not "slow down" any images but it does contain "controls" which enable you to stop, go back, go forward (among other things), and it contains script which identifies the various images more particularly. So "speed" is not lost between the 1st 2 versions. The "Slower" version eliminates a few pics, combines some others, and there's less "spinning."

The Flash Files. Three options exist, below. Pick whichever version you prefer. Note that if you use the "Button" version and you use controls to stop, go back, go forward, etc., picture syncronization with the tune will be lost.

No Button Version

Button Version

Slower Version

IMPORTANT NOTE: The sound/graphic syncronization seems to work well in IE 6 ... the graphics and song end at the same time ... BUT in Firefox 2.0, the pictures outpace the sound resulting in the graphics part ending well before the tune does. Sorry, but I don't know how to fix that yet.

2ND IMPORTANT NOTE: Some have asked if these files are avaliable on CD/DVD ... no, they are not. I didn't make these files to sell them ... I made them for my pleasure and, hopefully, yours. BUT, that said, if you want to have either or both flash files ON your computer, that's totally doable and OK with me. Instructions about doing that are at the bottom of this file.

As I said above, my animations largely focus on Oklahoma City since that's where I was born and live ... no slight intended to other guys and gals by the choice of mainly Okc pics in the Flash file! OK?

While I'm not affiliated with the Oklahoma Centennial Commission, I'm certainly one of its fans! So, the ad below is placed here in appreciation for all it has done, is doing, and yet will do!

The 2 CDs can be ordered directly from the Oklahoma Centennial Commission ... click the image below to open a PDF order form ...


or go to the Commission's website for more information. The official vendors are all Oklahoma 7-11 stores. The price is $19.99 and well worth the coins. Louise Abercrombe of the Ponca City News describes the package in the 11/23/06 edition of that paper:

Two must have CDs for Oklahomans and music fans are contained in the Oklahoma Rising salute to the artists and music of Oklahoma. The CD is a project of the Oklahoma Centennial Commission and benefits Habitat for Humanity and available at Kerr-McKee based stores, which include Seven Eleven stores. Kerr-McKee was the major sponsor of the project.

The first CD titled "A Unique History," features 25 songs either performed or written by Oklahomans. A few of these are "Back in The Saddle Again" sung by Gene Autry, of Sapulpa; "Mockin' Bird Hill," Patti Page, Claremore, "Wheel of Fortune," Kate Starr, Dougherty.

Also, "Paper Roses," Anita Bryant, Barnsdall; "Yesterday When I Was Young," Roy Clark, Tulsa; "Oklahoma Hills," Hank Thompson, Sand Springs; "King of the Road," Roger Miller, Erick; "This Land is Your Land," Woody Guthrie, Okemah; "Let's Have a Party," Wanda Jackson, Maud.

Others Oklahoma artists include Brooks & Dunn, Tulsa, and The Tractors, Tulsa, Rascal Flatts of Picher, The Notorious Cherry Bombs, Oklahoma City.

Featured songs on the Oklahoma Rising CD two include "An Extrordinary Future," begins with "Oklahoma Rising" by Jimmy Webb, Elk City, and Vince Gill, Oklahoma City; "Much Too Young," Gareth Brooks, Yukon; "How Do You Like Me Now," Toby Keith, Moore; "Inside Your Heaven," Carrie Underwood, Checotah; "Pickup Man," Joe Diffie, Hinton, and "Austin," Blake Shelton, Ada.

Others Songs are "Oklahoma," which features the orginal film casting featuring Gordon MacRae; "Oklahoma Swing," Vince Gill/Reba McEntire; "Oklahoma Stomp," Byron Berline.

Well, maybe some of the songs won't appeal to you, but, chances are good that "Oklahoma Rising" will!

After a Native American instrumental and chant introduction, the lyrics begin ...

We're Oklahoma Rising, Brighter than a star, Stand up and sing about her, Let the world know who we are. From a rugged territory To the Oklahoma Run, We've made our dreams come true, Just look at what we've done. We're the Heartland of America, Our heart is in the race, We've sailed our prairie schooners Right into outer space. We are young and we are strong, We are comin' with a roar. Sooner than later We'll be knockin' on your door Say hello to the future, Gonna shake the future's hand And build a better world Upon this sacred ancient land. We're Oklahoma Rising, Brighter than a star, Stand up and sing about her, Let the world know who we are. We're the sons and the daughters, Children of the West, We're Oklahoma Rising, Rising up to be the best. Guts and grace and mercy, We have shown them in our turn. When the fields had turned to dust And the skies began to burn,

When the storm shook our souls And the mighty buildings fell, Through fires and desperation, Our faith has served us well. I choke back the emotion, I'm an Okie and I'm proud. So when you call me Okie, Man, you better say it loud. Now we look into the heavens At the eagles climbing free, It's the spirit of our people On the wing, can you see? We're Oklahoma Rising, Brighter than a star. Stand up and sing about her, Let the world know who we are. We're the sons and the daughters, Children of the West, We're Oklahoma Rising, Rising up to be the best. Instrumental interlude We're Oklahoma Rising, Brighter than a star. Stand up and sing about her, Let the world know who we are. We're the sons and the daughters, Children of the West, We're Oklahoma Rising, Rising up to be the best. We're Oklahoma Rising, Rising up to be the best. Closing instrumental & Native flute

Here are a few screen shots from my Flash animated file which includes the song in the background ... as I said, my Flash file focuses on Oklahoma City since that's my Oklahoma town:

A much smaller (truncated to show about 1/3 of the images in the Flash file, and reduced from 640 px wide to 400 px wide, and containing no music) animated gif file is also available ... click the Eagle, below ...



AVAILABITY ON CD/DVD: I've received a few inquiries as to whether these Flash files are available on CD/DVD or are for sale by me. No, they are not. All rights to the tune belong the Oklahoma Centennial Commission ... you should purchase the 2 disk Oklahoma Rising album from the Oklahoma Centennial Commission and, at the same time as you do, benefit Habitat for Humanities! Get down to your near-by 7-11 store and pick up a copy ... if you are an Okie, you will love it!

That said, anyone who wants to can copy my Flash files to your hard disk and/or copy them to a CD, if you want, not for sale but for your personal use. Here's how ...

First, understand that generally and ordinarily, Flash files are internet based ... meaning ... when a Flash file is played, the file "looks for" Adobe's on-line Flash File player on the internet.

Second, understand that it is also possible to have, on your computer, a stand-alone software program which plays Flash files WITHOUT being connected to the internet, and several such programs are available. Such a program, and the one I've personally found to be good at doing so ... and it is free ... is SWF Opener. I've not found it to contain any "malware" or "tracking" stuff, PLUS it enhances a Flash file's playback by adding sizing and other features. For example, the Flash files I've made here are 640 px by 480 px (640 x 510 in the button version). When opening these Flash files with SWF Opener, you can easily expand the display to "full screen" without a serious loss of image quality. I do recommend it ... it can be downloaded at this website, among other places.

Third, if you don't want to do such a thing and simply want to use the Oklahoma Rising Flash file(s) on your computer while you are connected to the internet, that's fine, too. Here's what to do:

BUTTON VERSION

THE HTML FILE (this is the Flash loading file - only needed if you don't have a stand-alone Flash player on you computer): Right-click on the following link if you want/need the html "loader" file, and in the pop-up menu, select, "Save Target As". Recommendation: save it to your computer's "Desktop". Right-click on this link

THE FLASH FILE (this is the Flash file itself): Right-click on the following link, and in the pop-up menu, select, "Save Target As". Recommndation: save it to your computer's "Desktop". Right-click on this link

NO BUTTON VERSION

THE HTML FILE (this is the Flash loading file - only needed if you don't have a stand-alone Flash player on you computer): Right-click on the following link if you want/need the html "loader" file, and in the pop-up menu, select, "Save Target As". Recommendation: save it to your computer's "Desktop". Right-click on this link

THE FLASH FILE (this is the Flash file itself): Right-click on the following link, and in the pop-up menu, select, "Save Target As". Recommndation: save it to your computer's "Desktop". Right-click on this link

SLOWER VERSION

THE HTML FILE (this is the Flash loading file - only needed if you don't have a stand-alone Flash player on you computer): Right-click on the following link if you want/need the html "loader" file, and in the pop-up menu, select, "Save Target As". Recommendation: save it to your computer's "Desktop". Right-click on this link

THE FLASH FILE (this is the Flash file itself): Right-click on the following link, and in the pop-up menu, select, "Save Target As". Recommndation: save it to your computer's "Desktop". Right-click on this link

If you don't have a stand-alone Flash file player installed on your computer, THE HTML AND FLASH FILES NEED TO BE LOCATED IN THE SAME DIRECTORY (FOLDER) TO PLAY THE FILES.

I hope this covers the turf, but, if not, post a comment or send me an e-mail.

But, above all, Enjoy!

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